TV Production

My strongest role, and the one I've done most. I passed my assessment in this position with a high rating. On the floor I coordinate cast and crew, keep things moving and solve problems as they come up. I work well under pressure.

The role I'm most driven towards. I operate studio cameras on a pedestal with smooth, controlled movement and precise framing. My experience with professional cinema cameras (the gear I work with) carries straight across to broadcast television cameras.

Extensive experience with lighting. I understand light theory and use it to set the mood a scene needs. I'm also confident with colour correction, getting skin tones natural and every colour accurate.